{"id":2708,"date":"2022-01-13T07:22:19","date_gmt":"2022-01-13T06:22:19","guid":{"rendered":"http:\/\/aifonline.net\/?p=2708"},"modified":"2022-01-13T07:36:38","modified_gmt":"2022-01-13T06:36:38","slug":"cinema-retrospective-subjective-des-films-de-2021","status":"publish","type":"post","link":"https:\/\/aifonline.net\/?p=2708","title":{"rendered":"Cin\u00e9ma : R\u00e9trospective subjective des films de 2021"},"content":{"rendered":"<p><em><strong>Par Sabine Strul<\/strong><\/em><\/p>\n<p>Vous rappelez-vous qu&#8217;en 2021, ce n&#8217;est qu&#8217;\u00e0 partir du 19 mai que les salles de cin\u00e9ma ont \u00e9t\u00e9 rouvertes ?<br \/>\nMais quel festival de bons films fran\u00e7ais avons-nous pu voir, depuis cette date !<\/p>\n<figure id=\"attachment_2714\" aria-describedby=\"caption-attachment-2714\" style=\"width: 294px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2714\" src=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/the_father_affiche-752x1024.jpeg\" alt=\"\" width=\"294\" height=\"400\" srcset=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/the_father_affiche-752x1024.jpeg 752w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/the_father_affiche-220x300.jpeg 220w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/the_father_affiche-768x1046.jpeg 768w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/the_father_affiche.jpeg 1175w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><figcaption id=\"caption-attachment-2714\" class=\"wp-caption-text\">The father, un film de Florian Zeller<\/figcaption><\/figure>\n<p>Le premier film bouleversant et inoubliable que j&#8217;ai vu, c&#8217;est <em><strong>The Father<\/strong>\u00a0<\/em>(de F. Zeller) avec Anthony Hopkins, si imp\u00e9rial et si vuln\u00e9rable.<br \/>\nLe mois suivant, comment ne pas appr\u00e9cier l&#8217;autod\u00e9rision et l&#8217;humour du film <strong><em>Le discours<\/em><\/strong> (de L. Tirard &#8211; adapt\u00e9 du livre \u00e9ponyme de F. Caro) avec Benjamin Lavernhe, dr\u00f4lissime&#8230; puis trembler pour Alex Lutz, ex joueur de tennis prometteur qui se pr\u00e9pare \u00e0 son dernier tournoi, dans <strong><em>5\u00e8me set<\/em><\/strong> (de Q.Raynaud)&#8230; avant de suivre Vincent Macaigne dans sa tourn\u00e9e infernale de <strong><em>M\u00e9decin de nuit<\/em><\/strong> (de E. Wagerman).<\/p>\n<p>En juillet, place aux prim\u00e9s de Cannes, avec la com\u00e9die musicale <strong><em>Annette<\/em><\/strong> (de L. Carax), magnifi\u00e9e par sa mise en sc\u00e8ne et la musique des Sparks&#8230; et le choc <strong><em>Titane<\/em><\/strong> (de J. Ducournau), puissant et d\u00e9rangeant film de genre avec Vincent Lindon, tr\u00e8s inspir\u00e9&#8230; pour finir l&#8217;\u00e9t\u00e9 avec <strong><em>Bac Nord<\/em><\/strong> (de C. Jimenez), film &#8220;coup de poing&#8221; ; une histoire vraie et intense o\u00f9 l&#8217;on suit une brigade anti-criminalit\u00e9, (Gilles Lellouche, Fran\u00e7ois Civil et Karim Leklou) \u00e0 Marseille.<\/p>\n<figure id=\"attachment_2713\" aria-describedby=\"caption-attachment-2713\" style=\"width: 295px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2713\" src=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/boi\u0302te_noire_affiche-754x1024.jpeg\" alt=\"\" width=\"295\" height=\"400\" srcset=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/boi\u0302te_noire_affiche-754x1024.jpeg 754w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/boi\u0302te_noire_affiche-221x300.jpeg 221w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/boi\u0302te_noire_affiche-768x1043.jpeg 768w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/boi\u0302te_noire_affiche.jpeg 1178w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><figcaption id=\"caption-attachment-2713\" class=\"wp-caption-text\">La bo\u00eete noire, un film de Yann Gozlan<\/figcaption><\/figure>\n<p>A la rentr\u00e9e, j&#8217;ai \u00e9t\u00e9 touch\u00e9e par <strong><em>Cette musique ne joue pour personne<\/em><\/strong> (de S. Benchetrit), une com\u00e9die burlesque, loufoque et po\u00e9tique&#8230; avant de d\u00e9couvrir <strong><em>La bo\u00eete noire<\/em><\/strong> (de Y. Gozlan), tr\u00e8s bon thriller sophistiqu\u00e9 dans le milieu de l&#8217;aviation, avec le toujours impeccable Pierre Niney.<\/p>\n<figure id=\"attachment_2712\" aria-describedby=\"caption-attachment-2712\" style=\"width: 295px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2712\" src=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/eiffel_affiche-755x1024.jpeg\" alt=\"\" width=\"295\" height=\"400\" srcset=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/eiffel_affiche-755x1024.jpeg 755w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/eiffel_affiche-221x300.jpeg 221w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/eiffel_affiche-768x1041.jpeg 768w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/eiffel_affiche.jpeg 1180w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><figcaption id=\"caption-attachment-2712\" class=\"wp-caption-text\">Eiffel, un film de Martin Bourboulon<\/figcaption><\/figure>\n<p>A l&#8217;automne, on ne peut pas oublier la belle mise en sc\u00e8ne de <strong><em>Eiffel<\/em><\/strong> (de M. Bourboulon) et Romain Duris, qui joue le g\u00e9nie cr\u00e9ateur&#8230; avant de plonger dans les <strong><em>Illusions perdues<\/em><\/strong> (de X. Giannoli), adaptation r\u00e9ussie et spectaculaire du livre de Balzac.<br \/>\nJe me souviens aussi du superbe noir et blanc des <strong><em>Olympiades<\/em><\/strong> (de B. Blier) o\u00f9, dans le 13\u00e8me arrondissement de Paris, des jeunes se cherchent&#8230; ainsi que la performance incroyable et lumineuse de et avec Val\u00e9rie Lemercier dans <strong><em>Aline<\/em><\/strong>.<\/p>\n<figure id=\"attachment_2727\" aria-describedby=\"caption-attachment-2727\" style=\"width: 295px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2727\" src=\"https:\/\/aifonline.net\/wp-content\/uploads\/2020\/01\/aline_affiche-754x1024.jpeg\" alt=\"\" width=\"295\" height=\"400\" srcset=\"https:\/\/aifonline.net\/wp-content\/uploads\/2020\/01\/aline_affiche-754x1024.jpeg 754w, https:\/\/aifonline.net\/wp-content\/uploads\/2020\/01\/aline_affiche-221x300.jpeg 221w, https:\/\/aifonline.net\/wp-content\/uploads\/2020\/01\/aline_affiche-768x1043.jpeg 768w, https:\/\/aifonline.net\/wp-content\/uploads\/2020\/01\/aline_affiche.jpeg 1178w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><figcaption id=\"caption-attachment-2727\" class=\"wp-caption-text\">Aline, un film de Val\u00e9rie Lemercier<\/figcaption><\/figure>\n<p>Enfin, en d\u00e9cembre, deux films de tension et de r\u00e9flexion&#8230; Le premier : <strong><em>Les choses humaines<\/em><\/strong> (de Y. Attal &#8211; adapt\u00e9 du livre de K. Tuil) avec Pierre Arditi, Charlotte Gainsbourg,\u00a0Mathieu Kassovitz&#8230; sur le consentement. La v\u00e9rit\u00e9 est-elle unique ?<br \/>\nLe deuxi\u00e8me, <strong><em>Tromperie<\/em><\/strong> (d&#8217;A. Desplechin) avec Denis Podalyd\u00e8s\u00a0et la troublante L\u00e9a Seydoux, si vous \u00eates sensible \u00e0 l&#8217;\u00e9criture et aux th\u00e9matiques (la jud\u00e9it\u00e9, le d\u00e9sir, les mots, la mort&#8230;) de Philip Roth&#8230;<\/p>\n<p>Une mention sp\u00e9ciale aussi \u00e0 trois films iraniens, poignants, qui m&#8217;ont beaucoup \u00e9mue et qui \u00e9voquent la corruption, la peine de mort et la responsabilit\u00e9 individuelle.<br \/>\nIl s&#8217;agit de <strong><em>La loi de T\u00e9h\u00e9ran<\/em><\/strong> (de S. Roustayi) ; <strong><em>Le diable n&#8217;existe pas<\/em><\/strong>\u00a0(de M. Rasoulof) et <strong><em>Un h\u00e9ros<\/em><\/strong> (d&#8217;Asghar Farhadi).<\/p>\n<figure id=\"attachment_2715\" aria-describedby=\"caption-attachment-2715\" style=\"width: 271px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2715\" src=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/westsidestory.jpg\" alt=\"\" width=\"271\" height=\"400\" srcset=\"https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/westsidestory.jpg 406w, https:\/\/aifonline.net\/wp-content\/uploads\/2022\/01\/westsidestory-203x300.jpg 203w\" sizes=\"(max-width: 271px) 100vw, 271px\" \/><figcaption id=\"caption-attachment-2715\" class=\"wp-caption-text\">West side story, un film de Steven Spielberg<\/figcaption><\/figure>\n<p>Enfin&#8230; un grand coup de chapeau \u00e0 Steven Spielberg, qui nous offre un <strong><a href=\"https:\/\/aifonline.net\/?p=2685\"><em>West Side Story<\/em><\/a><\/strong> r\u00e9orchestr\u00e9, actualis\u00e9, moderne et flamboyant ; bref, un spectacle somptueux !<\/p>\n<p>Deux acteurs populaires nous ont quitt\u00e9s cette ann\u00e9e : Jean Pierre Bacri\u00a0et Jean Paul Belmondo&#8230; Qu&#8217;on n&#8217;oubliera pas !<\/p>\n<p>Si la plupart des films cit\u00e9s ne passent plus en salles, vous pouvez les retrouver en DVD ou VOD.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par Sabine Strul Vous rappelez-vous qu&#8217;en 2021, ce n&#8217;est qu&#8217;\u00e0 partir du 19 mai que les salles de cin\u00e9ma ont<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[90],"tags":[64],"table_tags":[],"_links":{"self":[{"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/posts\/2708"}],"collection":[{"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aifonline.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2708"}],"version-history":[{"count":13,"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/posts\/2708\/revisions"}],"predecessor-version":[{"id":2756,"href":"https:\/\/aifonline.net\/index.php?rest_route=\/wp\/v2\/posts\/2708\/revisions\/2756"}],"wp:attachment":[{"href":"https:\/\/aifonline.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aifonline.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aifonline.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2708"},{"taxonomy":"table_tags","embeddable":true,"href":"https:\/\/aifonline.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftable_tags&post=2708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}